FOR IMMEDIATE RELEASE:
The powerHouse Arena is pleased to invite you to a Black History Month talk
Jamel Shabazz in Conversation
with Thomas Allen Harris
Tuesday, February 3, 2009, 6–9PM
The powerHouse Arena,
37 Main Street, Brooklyn
For more information: (718) 666-3049
RSVP: HYPERLINK "mailto:firstname.lastname@example.org" email@example.com
The powerHouse Arena invites you to a discussion with Jamel Shabazz, author of Back in the Days, A Time Before Crack, Last Sunday in June, and Seconds of My Life, published by powerHouse Books, and Thomas Allen Harris, producer, director, and co-writer of Through a Lens Darkly: Black Photographers and the Emergence of a People, a documentary that explores the work of African-American photographers. Shabazz will present his photography and Harris will screen the trailer for Through a Lens Darkly, to illustrate the influence of African American photographers.
About Through a Lens Darkly: Black Photographers and the Emergence of a People:
Award-winning filmmaker, journalist, and artist, Thomas Allen Harris, is currently in production with his fourth feature-length documentary, Through a Lens Darkly: Black Photographers and the Emergence of a People. Co-produced by noted scholar, curator, and author, Deborah Willis PhD, Through A Lens Darkly, is the first documentary and multimedia outreach project that explores how African-American communities have used the medium of photography to construct political, aesthetic, and cultural representations of themselves and their world. The Through A Lens Darkly project is part of a new generation of interactive media that expands the boundaries of participatory filmmaking by using both traditional documentary and multimedia platforms to engage television and internet audiences in new, creative, and transformative ways.
In Finnegan’s Wake, James Joyce wrote: “History is the nightmare from which I am trying to awake.” Through A Lens Darkly is about contemporary African-American artists probing the recesses of the American nightmare by interrogating images of stories suppressed, forgotten, and lost; and how they engage African-American history in their work. Artists include Carrie Mae Weems, Glenn Ligon, Lyle Ashton Harris, Hank Willis Thomas, Coco Fusco, Anthony Barboza, Clarissa Sligh, Jamel Shabazz, Deborah Willis, and many more.
The film will interweave contemporary artists discussing their inspirations and creative process with the
stories of pioneering black men and women photographers, whose images helped reclaim the collective self worth and humanity of African Americans. Moving between the realms of the present and the past, Through A Lens Darkly will reveal black photography as an instrument for social change, as a pointed African-American perspective on American history, and as a particularized aesthetic vision. Our hope is that Through A Lens Darkly will provoke contemporary audiences to think simultaneously about the progressive and repressive capabilities of photography. For instance: how do we begin to think critically about images of black people, of black history, and about images in general? How much are our ideas about race supported and constructed by photographic images that we believe to be true or that we assume to be true without understanding how constructed they are? In the words of one artist, “This is an issue of visual literacy. An image is never just an image. It has a background, a context, a history.” Through A Lens Darkly is an active experience, where audiences are engaged as collaborative partners rather than passive viewers.
The Through A Lens Darkly production team is joining forces with a diverse contingent of media arts and social justice organizations from across North America to empower families of the African Diaspora
to uncover, preserve, and share photographic images that authentically depict our lives – past, present, and future. All are welcome to visit http://www.throughalensdarkly.tv to learn how they can participate in this innovative multimedia project
About Jamel Shabazz:
Jamel Shabazz’s work has appeared in publications such as The Source, Vibe, Trace, British Elle, Jalouse, Dune, GQ, and French Vogue. In addition, his photographs have been exhibited in Hip-Hop Nation: Roots, Rhymes, and Rage at the Brooklyn Museum of Art, at Xhibiton Transition in Chicago, and at Trace Magazine: True Signs in Paris. Shabazz is a Teaching Artist with the Rush Arts Foundation, where he mentors at-risk youth. He is a philanthropist who supports organizations like The Harlem Art Project, The Queens Council on the Arts, and Project Hope. He has published four books with powerHouse: Back in the Days, A Time Before Crack, Last Sunday in June, and Seconds of My Life (2001, 2005, 2003, and 2007). Shabazz was born in Red Hook, Brooklyn, in 1960.
About Thomas Allen Harris:
Thomas Allen Harris, producer, director, co-writer, was born in the Bronx and raised in New York City and Dar Es Salaam, Tanzania. He is a graduate of Harvard College and the Whitney Museum of American Art’s Independent Study Program. His documentary films, installations, and experimental videos have been featured in venues across the international landscape on television, at festivals, museums and galleries. His most recent film, Twelve Disciples of Nelson Mandela, premiered at the 2005 Toronto International Film Festival, won Best Documentary at the Pan-African and the Santa Cruz Film Festivals, the Henry Hampton Award for Excellence in Documentary Filmmaking at the Roxbury Film Festival, and was nominated for an Independent Spirit Award before being broadcast nationally on the POV documentary series as well as Swedish and New Zealand Television. His previous film, É Minha Cara/That’s My Face (2001), premiered at the Toronto, Sundance and Tribeca Film Festivals and won seven international awards, including the Best Documentary at Outfest and the Prize of the Ecumenical Jury of Christian Churches at the 2002 Berlin International Film Festival. The film was broadcast on the Sundance Channel as well as on ARTE, the CBC, and YLE. Mr. Harris is a recipient of numerous awards and fellowships including the United States Artist Award, the Guggenheim Fellowship, Rockefeller Fellowship, as well as CPB/PBS and Sundance Directors Fellowships. Harris was a tenured Associate Professor at the University of California, San Diego and a Visiting Professor of Film and New Media at Sarah Lawrence College. He worked as a staff producer for WNET/Thirteen, public television in New York, prior to founding Chimpanzee Productions, Inc., a company dedicated to producing unique visual experiences to illuminate the human condition and the search for identity, family and spirituality. Chimpanzee Productions is currently developing several new projects, including the features, Tears From Lagos and On the DL, as well as Through A Lens Darkly: Black Photographers and the Emergence of a People.
For more information, please contact Viviana Morizet, firstname.lastname@example.org
37 Main Street Brooklyn, NY 11201-1021 tel 718 666 3049 email email@example.com
SOURCE: Powerhouse Books